The Viennese, also: Classic round is a symmetrical musical form, named after the city of Vienna, the capital of Austria. It was used mainly by Austrian and German composers. It is a form that became very popular in classical music in Classicism (18th century) to Romance (19th century).
The form of the Viennese rondo consists of a theme in the main stage, with each other playing a different part, usually in a different tone. With a usual modulation you will return to the main tone and theme, after which a new "strofe" begins. The piece ends with the theme, a coda or a variation on one of the intermediate parts.
What Rondo differs from French, however, is symmetry. Where in the French round every strobe is different, these intermediate pieces return to the Weens Rondo (except the middle). The form will then be:
ABACABA (coda) or expanded ABACADACABA (coda) etc.
An example of a Whole Rondo is the final part of Ludwig van Beethoven's 2nd Piano Sonata. Also see
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